{my topography}

It figures…

…that the day I’ve set aside (taking full advantage of it being Mother’s Day so I can totally claim several back to back hours) for finishing up my two manuscripts (which incidentally are DUE tonight) is GLORIOUS.

Apple blossoms, a perfect breeze, seedlings to plant in the garden. Sigh. And here I am in my shady studio, clacking away on the keyboard. It is nearly impossible not to procrastinate now, when I’m working on revisions (which I hate) and a honey cheeked little boy comes running upstairs clutching a piece of bread and butter with the sole purpose of giving me kisses.

Anyway. Happy Mother’s day to all of you mamas out there. I’m so lucky to know so many of you.

Thirst

The ache feels like frostbite, slowly traveling from the peripheries towards the very center of my chest. It’s the kind of ache that you can’t put a finger on and say “here, take this, do this, it will feel better.” Instead it’s pervasive, a wash of heartache, the color a cloud-torn sky after sunset, muted, when indigo starts to unfurl across the heavens and shadows are black.

I’ve never felt this way before: followed by this unnamed dread, this sorrow, and I keep turning to look behind for the hungry dog of my distresses that hides in the bushes, waiting. I never do. I don’t know where she lurks like a bitch in heat, howling in the middle of the night, scratching at the door of my contentment. In the morning there are splinter’s everywhere and my head’s a mess of fragments. It’s still winter. I keep saying this is the problem. I keep blaming the shivery sliver of mercury hovering below freezing. Ice makes the puddles filmy, and bubbles rise when I poke my booted toe in.

But maybe it’s more. Maybe even with longer days and supple heat and petals this thing will gnaw at me. Some days it feels like I’ve swallowed the missing shard from a pot glued back together, the porcelain pieces pressed so close the adhesive running between them looks like transparent veins.

Maybe it’s this: I dream about breaking clocks. About scattering the numbers and the minute and hour hands across the snow; about leaping from the clock tower and having my fall take forever, weightless, because finally there is enough time.

I wake up and throw myself at the day. I know this isn’t graceful, but animals aren’t when there is a terror or a wound to lick. It’s like I’m always at the edge of the forest with the scent of smoke curling at my nostrils. The days are too short, and at the end of each I am still thirsty.

Here again

Outside, in the quiet winter cold, a dog barks again and again and again. A series of three staccato yaps, then a pause, snowflakes swirling in the silence before it barks again; left somewhere outdoors, hot breath making the fur wet around his mouth, icicles gathering in shaggy snarls.

In the sky, the moon, rinsed in the shadow of a recent eclipse, climbs higher up the edge of the dark.

Inside, I almost hold my breath. Heartache coiled in my chest again. I’m restless.

It is still winter here, and I’m home after a week away, where I was submerged in desert sunlight and words. The yearning to be at the next place in my life is fiercer than ever now; to be doing this writing thing, full tilt, without anything else. To be writing every day, without a day job that leaves me feeling like one of those tabs of fish food you throw in the tank for the fish to nibble relentlessly while the owner leaves for a vacation.

It is still winter and stumbling about the internet I find a classmate from my year in college who has published her first collection of essays, and also has the job I wish I had, in the thick of the Manhattan literary world, among tall buildings and subways and martinis. I bite my lip seeing her book jacket, her shiny hair.

I hate the color of this thing that creeps up in my solar plexus. I hate the way jealousy makes me feel small and suffocated, and the way it makes me ask a hundred stupid what-ifs, as if time weren’t irreversible, as if I weren’t here in the thick of this winter snowstorm with a three year old tucked into flannel sheets upstairs and a husband suffering through another bout of depression.

Maybe this is the thing I hate the most. How he won’t admit that his entire way of inhabiting the world hinges on finances; on what he makes or looses for the week in the market, the charts and numbers blipping by him faster than a heartbeat. He won’t say that his life is empty of things that make his heart tremble with passion; he won’t say that he keeps putting these things on hold to maintain our status quo, to keep afloat, to put in a home gym and a flat screen TV, to do whatever comes next in the acquisition process that never ends but never makes him really happy either. He doesn’t see it this way. But I feel his emptiness like a dry heat licking at my skin, making my knuckles crack, my lips grow chapped.

Winter. It seems to always find us here, under sweaters in different rooms with hardly anything to say. It’s been three weeks of tight jaw muscles, and shorter conversations. We hug each other by the kitchen island over Saturday morning pancakes with maple syrup and bacon and hot coffee, but there is always something that makes one or the other of us pull away abruptly, as though magnetism, like heat, is scarce on these cold days and longer nights.

The only time I really see his face bloom into an unguarded smile is when he is with Bean. Then it spreads across his cheeks like the unexpected tiny rainbows from the prism hanging by a ribbon in the window, and a small sharp sliver worms its way into the very center of my chest. I can’t help but wish his smile would bloom like this for me.

But we’re like hungry dogs, circling, ready to snap at the slightest provocation. It is as though we’re both looking for a reason, for some release of tension—both of us craving the pulpy mess that exposes our hearts and leaves us pressed close together with heat between us. Maybe this makes no sense. Of course it makes no sense. But why else do we do this at-once push and pull?

When he’s around, it’s all about pull-your-hair-out-crazy mood swings, and this week has been his worst week ever in the stock market. Everything tipped in the wrong direction, keel up, toppled like dominos. And at the end of a day I can’t help it, I turn away, heart pounding. I’ve already given nearly every shred of patience away to six year olds who play modern warfare games and miss their mothers living in other states. It’s almost like a reflex: the way I avoide directness, intimacy, while feeling like everything between us is flayed: muscles, tendons, hearts, tears always at the back of our eyes.

But then when he’s gone all I can do is watch the clock, the minute hand dogging the hour hand until he’s back, craving him like homesickness.

Inspired.

I’ll be back by the weekend.

I spent the entire day writing

And it felt good.

So good to sink into the work, to get beyond the distractions, the internal rebellions, the anxiety. Things are starting to fit together, the synapses of the story becoming evident.

Tomorrow I’m making a cherry pie; and doing laundry. Tomorrow it’s back to reality. But today was for words.

Do you have days like this that slip away into some place else? Like you never really touched down here? Today was like this.

The work you love and the work you do

A day to catch up with myself: the boys left early to install soapstone counter tops at the inlaws house. I slept in until after 10 a.m. I’m not sure when I last did that. It felt unbelievably good. I woke up to sun splashed across white flannel and the cat purring and sang in the shower. I had breakfast alone by the woodstove in the dining room, reading Heat and eating bacon, eggs, toast, and a peach-raspberry smoothie, then headed outdoors. I couldn’t stop myself from grinning. The sky was bright blue, and the last golden leaves were floating down. I cleaned the chicken coop, relishing the work.

As I scooped debris from the floor I pondered how within the scope of my life there are different kinds of work. So many of you responded yesterday with job worries, and these resonate with me: with my longing to be doing something else (specifically: writing full time.) It seems as though for so many of us, what we do, and the work we love have become disparate, cleaved out of necessity.

What is the work that you love? For me it is a dozen things: wearing leather gloves and stacking wood; raking leaves; turning soil. It is mowing grass, cutting branches, planting seeds. It is spending six hours back to back writing. It is waking up when the sky is stained pale pink, to scribble in my notebook. It is putting paint on a canvass. And also, some days, it is greeting the faces at the door, eager, curious, exalting. But most days it is my job. The thing that pays the bills. The thing I am good at. The thing I put 100 % of my energy into every day. And yet it doesn’t fill me up the way it used to; my solar plexus is too full with longing, with words that never make it to the page.

Like peguins

I hate that I get to the point where some remarkable super woman part of me has managed to sort, organize, file, and accomplish, and I’m just rounding the corner on being “ahead,” when then the week catches up with me again.

I hate that on any given day I can never really accomplish even half of what I’d like to.

I know deep down that this moment, right here on this couch, matters. Here, in a circle of light surrounded by the dark of the sleeping house, with my breath and my anxious heart, this is what matters. Here, with my feet tucked up under me and the steady clacking of the keyboard, my fingers fluttering to create words without conscious effort. Here, longing for sleep. This is what matters.

But I get hungry for days where everything feels sorted out and accomplished. Where there is time to come home from work and take a walk outdoors; time to do some yoga, or run; and mostly, time to write. Each day I don’t write I feel a terror rising in me. What if I never get this down? What if all I can ever do are fragments? But each day, the demands prioritize, like jostling penguins. I’ve heard that they’ll do this at the edge of an ice burg: push and bump until one or two penguins fall into the icy water below. The rest stand watching—waiting to see if the ones they pushed surface and swim about or are devoured.

I keep picturing some graphic organizer, some chart, something that could synchronize and streamline the crazy that is my day—but even if it were—even if I could remember and coordinate all the things I need to accomplish, it still comes back to this: the hours run out. The clock’s hand crawls steadily around the face. Night fills my body with a craving for sleep, and then, too soon, the alarm clicks on.

NaBloPoMo Redux

It’s that time of night where I feel my bones become heavy, and I can neither make myself get up and go to bed, nor do anything constructive here at the keyboard. The stories are mostly tatters anyway, but I’m using this month of NaBloPoMo to really hunker down and write. I’ve been thinking about spending more time capturing the ‘glimmers’ of every day. The small shreds of story I overhear; the scenes that present themselves. Usually I overlook them, trusting my faulty memory to hold the small bits of scene in place until I wearily find my way to the keyboard. But it never turns out that way. I end up never sitting down.

So for me this month will be one of recording details; glimmers; taking note of the small, unremarkable, bright shards of day that become story when wedged back to back. It will be a record of autumn turning towards winter: the hills washed suddenly gray with the first hard rains. The field in the morning dusted with frost. The dry heat of the wood stove filling the kitchen with snug warmth, and the moon as big and perfect as a dinner plate rising up golden over the crest of the hill.

What do you want to take note of this November?

synchopation

I have the day off and I’m gleefully miring my way through an inconceivably long to-do list. I have yet to figure out how to accomplish my every day life and everything else that needs to get done.

The biggest thing I’ve accomplished: completely reorganizing and painting my studio. Last year sometime, in the middle of the winter, under a blanket of depression, I painted my studio a pale blue, which felt like a bad idea almost seconds after the last coat was applied. Without meaning to, I began to use my studio space less and less, until I would go for a week or two without ever entering it.

This affected me on a subconscious level. I felt creatively terrified. Performance anxiety corroded any attempt to splash color across the page or really sink back into a routine of writing. Without a space I felt comfortable in, I resorted to writing at the kitchen table, in the midst of the hubbub of daily life, and routinely sabotaged my own efforts even there, buy skimming through my favorite blogs, or trying to keep up with the voracious demands of my gig over at Parent Dish.

Somehow the entire month of September (and nearly all of October) was swallowed by the murky creature of un-ambition. All summer I was entrenched in the rich sensory beauty of the outdoors; of leisure; good food; good novels. Then fall arrived with the first nip in the air and the hillsides turning orange, and I didn’t know what to do with myself. My syncopation was jagged and blurry; like a scarecrow trying to dance. Somehow with the shift in seasons I stopped doing all the things that I love: running, writing, art, and instead became (maybe necessarily) submerged in the fabric of work.

Headlong there, in the classroom, participating in the daily alchemy of turning eighteen individuals into a working group of learners; time spent watching spiders eat grasshoppers in the terrarium; and writing stories about magical shrinking potions. Time spent tying shoes and counting shells and navigating small sorrows. Time spent feeling nearly exhausted every afternoon; always empty, hungry, anxious.

And then I came home a few days ago to an empty house (Bean and DH were out running errands) and despite feeling hungry and grumpy, I decided to pull on my running shoes and head out in the perfect autumn sunlight for a run.

On the way back, passing a long field that follows the road for a good stretch, a small pony saw me running, and cantered up to the fence and then ran with me. I stopped and petted her tousled mane, and then continued, delighting in the unexpected equine attention. And then I realize: I was no longer either hungry or grumpy. My mood and body had been off kilter because I’ve been so out of rhythm. My soul misses running, it seems. Just as it misses moving through steady sun salutes on my yoga mat on my sunny studio floor.

So in the past few days I feel like I’ve come back into orbit around the quiet fire of my inner self. I’ve started running again, and I want to do it nearly every day. My body needs to move, just as my mind needs the quiet emptiness of one foot falling in front of the other along the gravel road.

So I’ve cleaned my studio and tackled my to-do list, and finally feel like I’m at least leaning towards a place of balance. Not quite there yet, but at least facing the right direction now.

As I write, thousands (really!) of lady bugs have migrated to our house. They are landing on the windows, twirling through the hazy autumn air in their bumbling flight. Do they hibernate? What are they doing here? Some say lady bugs are good luck. I’m content to imagine that they are.

Twirling in a burlap sack

Or something.

This week has been hectic, and I’m grumpy that I’m turning into one of those depressing post once a week bloggers. I love coming here and finding all of you and your comments and your stories, and I have a zillion posts that I write in my head… you know how it is.

This week though, in particular, has been like a bizarre synchronized swimming competition and I’ve barely had time to come up for breath. It shouldn’t really be so hectic–my in-laws have moved here (and though they don’t have appliances so they’re here all the time for meals, they help A LOT with Bean and such) and my class at school has finally started to come together as a group. There have been no more incidents of scissor throwing or wailing or refusals to say, sit in a chair, or come to the meeting area, and today a parent came in and built an exquisite terrarium for us.

At home we have a toasty warm new wood stove, and the hills are turning to burnished red and saffron. When we take walks in the afternoon we walk through armloads of fallen leaves the color of gems, freckled with rainwater. The rooster has begun crowing. The skies at dusk are purple like the stain of a grape, with gauzy gray clouds smudge across the mountains. It’s a good time of year. Time for apple pie, and café au laits and pumpkin cheesecake ice cream.

But I still have this feeling; like a dervish. Twirling, my feet barely touching ground. I know the real reason is that I haven’t connected back with my writing for several weeks now, and the threads that connect me to the stories I’m constructing have become fine and tenuous like spider’s webs. But every morning I wake up still tired, and every night I go to sleep with my mind a kaleidoscope of fragments. I have forgotten the geometry of being divided in this way: mother, writer, teacher, spouse.

In a conversation with my mother yesterday, she was saying how so many women she knows are on a quest to find the true things that they love. A calling. A direction. A depth of purpose. I laughed, relating my own woes. Mine has never been a lack of purpose or direction or enjoyment, it’s always been a lack of time.

“If I could do every day twice,” I said, “then maybe, just maybe I’d get everything done that I long to do.”

How about you?